All About Us Read online

  Praise for All About Us

  ‘Prepare to fall head over heels in love with this book.’

  HELLO!

  ‘Magical and beautiful.’ Josie Silver

  ‘An insightful, nuanced look at modern relationships, I LOVED it. A Christmas Carol meets Love Actually.’ Holly Bourne

  ‘A heart-warming and surprisingly feminist novel of “what if”.’ Laura Jane Williams

  ‘Has all of the feels – the messy complexities of family and friends, the power of love and a sprinkling of magic. Gorgeous.’ Clare Pooley

  ‘Sharp, funny and poignant.’ Rachel Winters

  ‘A warm, cosy, Christmassy delight. It’s SO honest, funny and sad, and most of all it is full of hope. It tugged at ALL of my heartstrings, and I loved it to bits.’ Cressida McLaughlin

  ‘Romantic and gloriously life-affirming.’ Rachel Marks

  ‘So captivating I couldn’t put it down.

  A gorgeously festive story.’ Emma Cooper

  ‘An outstanding story about regrets, self-reflection and love, littered with relatable situations and fabulous humour. I LOVED IT!’ Roxie Cooper

  ‘A magical, compelling and thought-provoking story, full of depth and heart.’ C.J. Skuse

  ‘Clever, funny and romantic. I hope the Netflix adaptation comes swiftly after.’ Melinda Salisbury

  ‘Oh my gosh, it’s wonderful! I cried so much!’ Polly Crosby

  TOM ELLEN is the co-author of three critically acclaimed Young Adult novels: Lobsters (which was shortlisted for The Bookseller’s inaugural YA Book Prize), Never Evers and Freshers. His books have been widely translated and are published in 15 countries. He is a regular contributor to Viz magazine, and as a journalist he has written for Cosmopolitan, Empire, Evening Standard Magazine, Glamour, NME, ShortList, Time Out, Vice and many more. All About Us is his debut adult novel.

  Copyright

  An imprint of HarperCollins Publishers Ltd

  1 London Bridge Street

  London SE1 9GF

  First published in Great Britain by HQ in 2020

  Copyright © Tom Ellen 2020

  Tom Ellen asserts the moral right to be identified as the author of this work.

  A catalogue record for this book is available from the British Library.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

  Ebook Edition © August 2020 ISBN: 9780008422042

  Version 2020-07-27

  Note to Readers

  This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:

  Change of font size and line height

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  Page numbers taken from the following print edition: ISBN 9780008336035

  To Carolina

  Contents

  Cover

  Praise

  About the Author

  Title Page

  Copyright

  Note to Readers

  Dedication

  Prologue

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Chapter Thirty-Three

  Chapter Thirty-Four

  Chapter Thirty-Five

  Chapter Thirty-Six

  Chapter Thirty-Seven

  Chapter Thirty-Eight

  Chapter Thirty-Nine

  Chapter Forty

  Chapter Forty-One

  Chapter Forty-Two

  Chapter Forty-Three

  Chapter Forty-Four

  Chapter Forty-Five

  Chapter Forty-Six

  Chapter Forty-Seven

  Chapter Forty-Eight

  Chapter Forty-Nine

  Chapter Fifty

  Epilogue

  Acknowledgements

  Author Q&A with Tom Ellen

  Extract

  About the Publisher

  Prologue

  University of York, 5 December 2005

  Running was a bad idea.

  I can see that now. There was no need to run. It’s a game of Sardines, not the Olympic 100m. Plus, they haven’t even started looking for me yet. I can still hear them all outside the maze, shouting to fifty in unison. It sounds like a weirdly raucous episode of Sesame Street.

  I could’ve taken my time, strolled about leisurely in search of the perfect hiding place, but no: drunk logic told me that fifty seconds was no time at all and that the best option would be to peg it into the campus maze at top speed until I was safely camouflaged. Now, as I slow down to a stumble in the darkness, I can feel six snakebite blacks, four sambuca shots and that doner calzone I split with Harv all roiling ominously in my stomach.

  I stop for a second to catch my breath, which immediately explodes back out of me. I put a hand to the wall to steady myself, remembering too late that the wall is not actually a wall, but a hedge. I fall through it with the slapstick dexterity of a young Buster Keaton, miraculously avoiding being blinded or castrated by a million scratchy branches. I try to get up, fail miserably, and then decide that this is probably as good a hiding spot as any.

  The leaves settle around me. The counting has stopped now, and I can feel the maze bristle and creak as a dozen drunken bodies stagger into it, yelling, ‘We’re coming to ge-et you!’

  I sit there in silence, trying to work some moisture into my parched mouth and listening to my heart galloping in my chest. I reach up to wipe my forehead, and my hand comes back covered in foundation and fake blood – souvenirs from tonight’s stellar theatrical performance.

  The play went about as well as any first-year uni play could be expected to, which is to say we probably won’t be nominated for any Olivier awards, but no one fluffed their lines or vomited nervously on the audience. It was in the bar afterwards, though, where everything really kicked into gear: everyone gabbling at a hundred miles an hour about what we all want to write or direct or act in next. Maybe it was the adrenalin – or more likely the sambuca – but the world suddenly seemed alive with possibility, like I could actually see the future spooling out endlessly ahead of me, beckoning me in. Mad, really, to think that I can do anything I want with it.

  It’s funny, though. As weird and brilliant as tonight has been, I always thought it would be me and Alice’s night. Th
e night we finally got it together after a whole term of awkwardly not quite managing to. It’s my fault, really: I’ve never been very good at ‘making the move’ (in fact, just the phrase ‘making the move’ makes me want to cringe so hard that my retinas detach). If I get even the slightest suspicion that a girl might be interested in me, my brain tends to immediately draw up a laundry list of reasons why she actually definitely isn’t.

  But with Alice, that list has been getting harder and harder to compile. Over the past ten weeks – ten weeks of private jokes and late-night chats and shared microwave meals – she’s made it pretty clear that she likes me. And I like her too, I guess. She’s funny and pretty and we get on really well, and I suppose I always thought that tonight – the night of the play, the last night before the Christmas holidays – there’d be enough booze and drama and emotion to give us the push we needed.

  But then that Daphne girl showed up backstage and sort of knocked everything off track.

  It sounds stupid when people say they just ‘clicked’ with somebody, but I can’t think of another word for it. How else do you explain an hour of silly, funny, effortless conversation with a total stranger? Or that weird, tingly electricity in my chest every time I made her laugh?

  So, maybe it won’t happen for me and Alice tonight after all. Or maybe it will.

  It definitely feels like something will happen tonight.

  There’s a flurry of whispers from somewhere nearby – two people bumping into each other in the darkness, forming a momentary alliance in their search for me. And then there’s that whooping seal bark of a laugh that immediately identifies one of them as Harv.

  I shuffle further back into the hedge, but somehow I’m sure he won’t clock me. Call it intuition, or a sixth sense, or just being a bit drunk and horny, but I know that either Daphne or Alice will find me before anyone else does.

  When we spilled out of the bar after Marek shouted, ‘Let’s play Sardines!’ I looked around to see both of them smirking at me. ‘I think Ben should hide,’ Alice said, and Daphne nodded her agreement: ‘Yep. Ben seems like a natural hider.’ I filed that statement away for further examination when I was less pissed, and then tore straight off into the maze.

  Right now, just the idea of sitting here, hidden, with either one of them seems outrageously – ridiculously – exciting.

  In fact, as I try to keep perfectly still, my heart going like the absolute clappers, I can’t decide who I’d rather found me first.

  Chapter One

  London, 24 December 2020

  ‘So … are you coming, or not?’

  ‘I mean, obviously I can come. If you want me to?’

  Daphne breathes out heavily, but still resolutely refuses to make eye contact. ‘Do you want to come?’ she asks her reflection in the mirror.

  I loiter by the bare Christmas tree, picking at stray needles. ‘Well, if you reckon I should, then maybe. I guess.’

  She snaps the brush back into her mascara bottle with impressive force. ‘Ben, seriously. I’m starting to feel like Jeremy Paxman here. Can you just give me a yes or no?’

  ‘Well, I don’t know. Will they be expecting me? I came last year.’

  ‘Yes, and what a great success that was,’ she says to the ceiling, and there’s a pause where we both remember what a great success that was.

  ‘Listen …’ she says, pinching the bridge of her nose. ‘It’s Christmas Eve drinks at my boss’s. I don’t even particularly want to go, so there’s no reason why I should drag you along too.’

  ‘Well, like I say, I’m happy to come if you want me to.’ She ignores this completely, so I add: ‘But you clearly fucking don’t.’

  Finally she spins round to look at me. ‘I want you to come if you’re going to actually talk to people and try to have a good time. I don’t want you to come if you’re going to stand in the corner like a grumpy arsehole. OK?’

  She snatches up her bag and walks out into the hallway.

  Daff is of the opinion that fights are A Good Thing in a relationship. A Healthy Thing. Or at least she used to be of that opinion, back when our fights weren’t really fights, but silly little flare-ups over nothing. I’d get sulky at her for taking too long to get ready, or she’d shout at me for farting or imperfectly folding a bedsheet. And then after a volley of yells, we’d break off, hugging and giggling at the idea that we’d caught ourselves bickering like a sad old couple.

  But at some point during the last couple of years, something changed. That fun phoney-war play-fighting turned into this awful tight-lipped trench combat; each of us working doggedly to gain an inch of ground over the other, occasionally lobbing a passive-aggressive grenade into no man’s land.

  How did we get here? I wonder. From calmly discussing our evening plans to bitter, seething resentment in – what was it – a minute and a half? That’s got to be some kind of spontaneous marital-spat world record. Because the truth is, everything seems to lead to a fight nowadays. Every nod or murmur or question feels loaded and potentially explosive, like it has to be patted down carefully for hidden meaning. I’m pretty sure this is my fault – in fact, I know it is. It’s all tangled up with everything that’s happened over the past couple of years, and my general sense of self-worth dribbling slowly down the plughole. I can see the problems clear as day, I just can’t figure out how to fix them. Maybe they can’t be fixed.

  I follow Daff out into the hallway, where she’s now yanking her long, curly black hair into a bun and fastening it with one of those Venus flytrappy things. ‘Look, I’m sorry,’ I say. ‘I just always feel like such a spare part at these things. I can feel them all looking straight through me when I’m speaking.’

  ‘Ben, that’s not true,’ she snaps. ‘And if it is true’ – which means she knows it is – ‘then maybe it’s because you make literally no effort with anyone.’

  ‘I do make an effort,’ I protest, but we both know this is bollocks. I stopped making an effort a long time ago. Not just with small talk – with everything.

  She grabs her coat off the banister, and sighs. ‘Look, don’t worry, honestly,’ she says. ‘You know what these things are like. It’ll just be boring work chat. If I go now, I can be back by ten.’

  ‘OK, fine,’ I say, and the look of relief that flashes across her face confirms something I’ve suspected for a while: that I’ve become a weight on her at these events. Or worse than a weight: an embarrassment.

  Daff is a literary agent. She works for a big, important company and her clients are all big, important authors and screenwriters. Attending one of her work dos is like lowering yourself into a boiling cauldron of success – you’re never more than six feet from a BAFTA winner or a Booker Prize judge. So I suppose I can’t blame her for cringing slightly when I’m mumbling to these people about how I knock out the odd press release for a living. It doesn’t make me feel great either. The truth is, I’ve spent a lot of time lately wondering what Daphne is still doing with me, and at this thing tonight, I know everyone else will be wondering it too.

  ‘Is you-know-who going to be there?’ I ask, as she shrugs her coat on. ‘The Big Man?’

  I’m hoping this might make her laugh, just to prove I can still do that, at least. Even a sarcastic hollow chuckle would suit me fine. But instead she just rolls her eyes.

  ‘Yes, Rich will be there. Is that honestly why you don’t want to come?’

  ‘No, of course not. I was only—’

  ‘Because you don’t have to talk to him, you know. You could try and talk to some new people.’

  ‘No, I know. Well, he pretty much ignores me anyway, so …’

  ‘Maybe if you actually tried to be friendly, instead of sulking like a little kid?’

  And yep. Back we go. Like I say: all roads lead to a fight.

  Which is crazy, really, because Rich used to be one of our most reliable private jokes. A dependable classic we could always fall back on.

  He joined the agency around the same time Daphne d
id, and since he looks like he’s been laboratory-designed to worry insecure husbands, the idea of her copping off with him quickly became a running gag between us. If I burned the toast or something, she might sigh dramatically and murmur, ‘I bet Rich is a great cook …’ Or if I went out for the night, leaving Daff home alone, I’d bid her goodbye with ‘Tell Rich I said hi,’ and she’d mime oh-shit-I’ve-been-busted as I walked away laughing.

  But like all our other private jokes, this one seems to have curdled and hardened. Whether this is down to her actually starting to fancy Rich, or me just suspecting she might, I’ve no idea. He’s definitely a major-league shagger (Daphne once told me, ‘If Tinder was a computer game, Rich would have completed it,’ which I found both hilarious and slightly intimidating), but I don’t think there’s anything between them. The idea that there might be does hit me occasionally, like a punch in the gut. I guess I just can’t figure out why Daphne wouldn’t be interested in him. Or maybe she is interested in him, but she’s just not the kind of person who would do something about it.

  I think suddenly about the messages from Alice, squirrelled away secretly on my phone. I’m exactly that kind of person, apparently.

  When it comes down to it, I suppose that’s the reason Daphne’s still with me: because of the things she doesn’t know. She doesn’t know about Alice; she doesn’t know about Paris. She knows about Mum, obviously, but she doesn’t know the things I said to her before it happened. Things that still choke me awake in the middle of the night.

  After fifteen years together, and four years of marriage, she doesn’t really know me at all. If she did, then surely she wouldn’t still be here.

  She clicks open the front door, and makes to step out into the cold early-evening gloom. ‘I’d better go,’ she says, but she doesn’t. She just stands there, frowning at the doormat. ‘We can talk later. It’s just … Work is so draining at the moment, and then I come back here and it’s … even more draining, you know?’ She breaks off and fixes me with her big hazelnut-brown eyes, and she looks tired and really – genuinely – unhappy. And my insides freeze, because I’m suddenly sure she’s about to say something: something big and awful and final.